Christopher Shutt

Sound Designer

Tony Award for War Horse; New York Drama Desk Awards for War Horse, Mnemonic and Not About Nightingales. Olivier Award nominations for Coram Boy, War Horse, Piaf and Every Good Boy Deserves Favour.

National Theatre: The Effect, Timon of Athens, Last of the Haussmans, War Horse, Emperor and GalileanThe White Guard, Burnt by the Sun, Every Good Boy Deserves Favour, The Hour We Knew Nothing of Each Other, Philistines, Happy Days, Coram Boy, Humble Boy, Play Without Words, Hamlet, Albert Speer, Not About Nightingales, Machinal. Complicite: A Disappearing Number, The Elephant Vanishes, A Minute Too Late, Mnemonic, Noise of Time, Street of Crocodiles, Three Lives of Lucie Cabrol, Caucasian Chalk Circle. Other work includes Drum Belly (Abbey, Dublin), Playboy of the Western World, All About My Mother, Moon for the Misbegotten (Old Vic and Broadway); School for Scandal and Julius Caesar (Barbican); Philadelphia Here I Come, PiafHecuba, Man Who Had All The Luck (Donmar); Ruined, Judgment Day at the Almeida; Love and Information, Kin, Aunt Dan and Lemon, Serious Money, Road (Royal Court); Bull (also off-Broadway), The Caretaker (Sheffield Crucible); Nocturnal (Gate); Midsummer Night’s Dream, Far Away (Bristol Old Vic); All My Sons (Broadway); The Bacchae, Little Otik (National Theatre of Scotland); Tempest, Twelfth Night, King Lear, Much Ado About Nothing, King John and Romeo and Juliet (RSC); Resistible Rise of Arturo Ui (New York with Al Pacino, music by Tom Waits). Radio: Shropshire Lad, Tennyson’s Maud, Disappearing Number, After the Quake.